Media, Entertainment and Sport

Here's why we like some words more than others

A photo illustration shows a 2nd edition copy of The Macquarie Concise Dictionary, the authority on the English language in Australia, on a coffee table in Sydney October 17, 2012. A fiery speech against sexism by Australia's first female Prime Minister Julia Gillard has prompted the textbook of Australian English to redefine the word "misogyny" to better fit the heated political debate raging downunder.     REUTERS/Tim Wimborne (AUSTRALIA - Tags: POLITICS SOCIETY) - GM1E8AH1BKG01

A wealth of words. Image: REUTERS/Tim Wimborne

Carmen Álvarez-Mayo
Lecturer in Spanish, University of York
Share:
Our Impact
What's the World Economic Forum doing to accelerate action on Media, Entertainment and Sport?
The Big Picture
Explore and monitor how Media, Entertainment and Sport is affecting economies, industries and global issues
A hand holding a looking glass by a lake
Crowdsource Innovation
Get involved with our crowdsourced digital platform to deliver impact at scale
Stay up to date:

Media, Entertainment and Sport

When we listen to a foreign language, we may hear sounds which do not exist in our mother tongue, and may sound different from anything we have ever heard before. The first time we hear something new, a foreign sound or word – even an unknown word in our own languages – something in it may provoke delight or revulsion.

Often with familiar words, it’s almost impossible to simply look at one and separate it from its meaning. Words like “putrid” or “disgusting” have nasty connotations already built in to our subconscious and therefore meaning will play a key role.

However, when we learn a new language, we encounter words free of associations and connotations in our mind. This presents an opportunity for researchers to determine what’s in a word itself that the mind finds pleasing or unpleasant.

From a very young age, everyone is exposed to music and to language, and every culture has its local variants of both. We all perceive words in different ways. How we feel about different words, whether we like the sound of some of them more than others, will depend mostly on what experiences in our life we attach to them and how people in our community use those words.

Image: South China Morning Post

The British linguist David Crystal conducted some research on phonaesthetics, the study of what makes certain sounds beautiful, and noted that the most popular words have positive connotations – no surprises there. But what’s interesting is what these words have in common: two or three syllables, short vowels, easy-to-produce consonantal sounds such as /l/, /s/ and /m/.

None of these sounds – or “phonemes” – require much energy or effort to be pronounced and so evoke natural and peaceful tones. Some examples are: autumn, melody, lullaby, velvet, luminous, tranquil, marigold, whisper, gossamer, caress.

Gossamer - the material in spider webs.
Image: Max Pixel, CC BY

For centuries, the repetition of certain sounds in literature has been popular in poetry, often with the aim of mimicking nature to elicit moods and feelings. Both in English and Spanish poems, words where /s/ is a prominent sound symbolise the hissing sound of the the wind or the sea, and words with nasal sounds like /m/ are soothing and mellow, like a soft murmur.

Have you read?

Separating meaning from words

In the English language, the very same word will sound differently when pronounced by speakers of different areas, within the UK and abroad. Geography not only affects the way a word sounds but also its meaning – like “close”, which describes proximity and the feeling in the air immediately before a storm.

When we hear a word, the way we perceive it will be influenced not only by denotation but also by connotation. Understandably, words associated with positive experiences will be perceived as pleasing.

However, the way our experiences influence what words we like remains fluid throughout life. For the last 20 years or so, I have witnessed this with my Spanish beginner students.

If we effectively “conquer” a word, it becomes a word we like to say and hear. Sounds that at the start of the course British students struggled with – /θ/, /x/, /ɲ/, the rolled /r/ and /ʧ/ – because they are scarce or do not exist in their mother tongue, became more popular by the end of the year.

New and positive experiences thus bring new “love” for words with initially tricky consonants, such as esperanza, izquierda, agujetas and contraseña.

There are also words which students used to find challenging at the start of their course but after some months have grown confident using and pronouncing with the kind of pride that arises from knowledge, hard work and learning, regardless of the word’s connotations. This is particularly striking in the example of “desafortunadamente”. This means “unfortunately” in Spanish. Desafortunadamente therefore has obvious negative connotations, but learners of a new language are more likely to experience disassociation with a word from its meaning, which rarely happens in your mother tongue. Speakers of a new language can therefore enjoy a word on its own merits, disregarding its connotations.

When I teach pronunciation and intonation to Spanish beginners, I use the word “jeringuilla” as an example. It has all the makings of a word our brains love – syllables that flow, short vocalic sounds, /n/ and the strong Spanish /x/ which offers a worthy challenge for a native English speaker – but imagine their surprise when they learn it actually means “syringe”…

Loading...
Don't miss any update on this topic

Create a free account and access your personalized content collection with our latest publications and analyses.

Sign up for free

License and Republishing

World Economic Forum articles may be republished in accordance with the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License, and in accordance with our Terms of Use.

The views expressed in this article are those of the author alone and not the World Economic Forum.

Related topics:
Media, Entertainment and SportArts and Culture
Share:
World Economic Forum logo
Global Agenda

The Agenda Weekly

A weekly update of the most important issues driving the global agenda

Subscribe today

You can unsubscribe at any time using the link in our emails. For more details, review our privacy policy.

How Paris 2024 aims to become the first-ever gender-equal Olympics

Victoria Masterson

April 5, 2024

1:44

About Us

Events

Media

Partners & Members

  • Join Us

Language Editions

Privacy Policy & Terms of Service

© 2024 World Economic Forum