• Supported by Wildlife Asia, the PARDICOLOR Creative Arts Fund provides artists with financial support to highlight environmental issues in Southeast Asia.
  • This arts initiative was designed to support conservation work in areas such as Salween Peace Park in Myanmar and Indonesia’s Leuser Ecosystem.
  • PARDICOLOR founder Demelza Stokes hopes that the next generation's imagination will help shape the region's wildlife and ecosystems.

Creativity is vital for the development of innovative solutions to conservation conundrums.

The daunting challenges of restoring ecosystems, curbing biodiversity loss and halting deforestation require a continuous stream of new ideas. While practical solutions are paramount, creative art can be pivotal to building support and understanding for conservation efforts. Art confronts environmental issues, challenges conventional approaches and provides a conceptual space to reimagine a better future.

Nowhere in the world is the need for novel approaches more evident than in Southeast Asia, which has suffered devastating habitat loss over the past 30 years, bringing many endemic species to the brink of extinction.

This was the impetus for the PARDICOLOR Creative Arts Fund, launched by Wildlife Asia in April 2020 to provide artists in Southeast Asia with financial support to produce works that highlight wildlife, biodiversity, the environment and society.

artistic illustration from zine, sostalgia
PARDICOLOR supported writer Wendi Sia in 2020 to produce zines that record details of Indigenous Orang Asli traditional crafts and forest lore in Peninsular
Image: GERIMIS Art Project/zine sostalgia

The project is the brainchild of Demelza Stokes, a project manager for Wildlife Asia and a self-confessed interdisciplinarian. She says she wants the arts initiative to complement the practical conservation work of Wildlife Asia in locations including Salween Peace Park in Karen state, Myanmar, and in the Leuser Ecosystem in Sumatra, Indonesia.

“I think as wildlife conservationists it’s really important to try to understand how the societies and communities in which we work view wildlife, biodiversity, the environment and society,” Stokes told Mongabay. “And art, or supporting the production of it, is a good way to do this.”

So far, the project has subsidized nine artists and collectives from Thailand, Laos, Myanmar, Malaysia and the Philippines. Their work features an assortment of styles and subjects as diverse as invertebrate illustrations and frog soundscapes in Metropolitan Manila.

an environmentally inspired artistic piece
PARDICOLOR supported writer Wendi Sia in 2020 to produce zines that record details of Indigenous Orang Asli traditional crafts and forest lore in Peninsular Malaysia.
Image: GERIMIS Art Project/ zine, Mad Weave

One project in Peninsular Malaysia engages with Indigenous Orang Asli communities to record details of traditional crafts and forest lore through zines, or independently published illustrated booklets. Wendi Sia, who writes the zines as a member of the GERIMIS ART collective, says she hopes readers will be inspired to care about nature and empathize with forest communities.

On Koh Chang Island in Thailand, Natalie Limwatana spotlights the deluge of plastic waste in the Gulf of Thailand by repurposing old fishing nets and plastic debris to create immersive sculptures of marine wildlife. She says the support of the PARDICOLOR initiative provided the fuel and inspiration to turn her vision into reality.

Limwatana says she is optimistic that art can trigger positive change in Southeast Asia, beginning at the grassroots level. “Art is about connecting with something outside of yourself; it opens people up to receive a message,” she says. “And more and more people are taking personal action for the environment. They realize that they can’t wait for things to change from above — that there isn’t time.”

How does the World Economic Forum encourage biological diversity?

How does the World Economic Forum encourage biological diversity?

In the last 100 years, more than 90 percent of crop varieties have disappeared from farmers’ fields, and all of the world’s 17 main fishing grounds are now being fished at or above their sustainable limits.

These trends have reduced diversity in our diets, which is directly linked to diseases or health risk factors, such as diabetes, obesity and malnutrition.

One initiative which is bringing a renewed focus on biological diversity is the Tropical Forest Alliance.

This global public-private partnership is working on removing deforestation from four global commodity supply chains – palm oil, beef, soy, and pulp and paper.

The Alliance includes businesses, governments, civil society, indigenous people and communities, and international organizations.

Enquire to become a member or partner of the Forum and help stop deforestation linked to supply chains.

This week, PARDICOLOR launches a new set of small grants for Southeast Asian artists to pursue projects that navigate one of three themes: “Art of Darkness,” “A Million Textures” and “Imagining Super Landscapes.”

Stokes says she is eager to see the visualizations of the new artists. She says the imagination of the next generation will ultimately shape the future of the region’s wildlife and ecosystems. “If we can only create what we can imagine, then art and ideas are an integral part of creating an Earth that is sustainable and thriving with biodiversity,” she says.

a paradise tree snake
This photographer takes close-up photographs of wildlife in Singapore.
Image: Jasvic Lye